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Encounter with Calixto Neto

// Panorama Festival

A discussion of the process involved in the reprise of the 2004 piece O Samba do Crioulo Doido (The Samba of the Crazy Black Man)becomes the starting point here for talking about the representation of the black body, the trajectories of dance in Brazil, and also observing how a piece can resist the passing of time, still topical fifteen years after it was created.